North:
World Apparel Center
Block: With more than a million
square feet of space, this block-spanning
1970 building is touted as the premier showroom
for the Fashion District. A statue on the
7th Avenue plaza honors a garment worker,
but more striking is the giant needle and
button.
109: The location of the
Maxine Elliott Theatre, built in 1908
and named for the actress who was its half owner.
After housing numerous original plays by
the likes of George Bernard Shaw, John Millington
Synge, Lady Augusta Gregory, Lord Dunsany and
Somerset Maugham, it was leased to the Federal
Theatre Project, under whose auspices Orson
Welles produced The Cradle Will Rock--
which was shut down here by the government, the
theater padlocked and surrounded by armed guards.
After serving as a radio studio for WOR Mutual and
CBS and as a CBS TV studio, the building was demolished
in 1960.
Corner (1411 Broadway): This was the site
of the Metropolitan
Opera House from 1883 until 1966. Built
by Gilded Age businessmen like William
Vanderbilt who were denied boxes at the
Academy of Music on 14th Street, it soon
eclipsed the older venue as the central
stage of New York society (as depicted
in Edith Wharton's Custom of the
Country). It saw the American debuts of
Enrico Caruso (11/23/1903) and Vaslav Nijinsky
(4/12/1916). The beloved house was doomed
by the Metropolitan Opera company, which
insisted, when it moved to Lincoln Center,
that the building's buyer tear it down
so that a rival opera company could not use it.
Sculptor Karl Bitter was struck by a car
and killed leaving the opera here on April
9, 1915, the day he completed the model for
the Pulitzer Fountain.
There's a triangular space in front
of the current building called Golda
Meir Square--with a bust of the
Israeli
prime minister at the southern end.
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